Michigan Engineering | Aerospace Engineering Fellowship Established in Memory of Graduate

Michigan Engineering Aerospace Engineering Fellowship Established in Memory of Graduate

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Wonder That Was Himalayan Art This paper mainly attempts to highlight the Himalayan contribution in the aesthetic expression and artistic creativity which is so enormous but unfortunately until now it has not appropriately been surmised. Throbbing with the naivety and solemnity, Himalayan Art in its medieval epoch reached the soaring heights and prompted many art styles in Central Asia and Tibet. This paper reasonably focuses western Himalayas since it occupies liaison between South Asia and the West, which has strong bearing on the material culture and art. Most of the material evidences supporting the hypothesis have been discovered by the author during his three decades long fieldwork in the remote region. Himalayan Mountains are the icon of India’s glorious entity. High aesthetic concept of Indian society is interwoven with Himalayas. Himalayas are source of naivety; austerity and spirituality from the very outset of Indian civilisation Himalayas have commanded a signifi...
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Some Bronze Masterpieces of Indo Tibetan Art Inscribed in the Name of Ordained Prince Nagaraj: A Stylistic Appraisal

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Some Bronze Masterpieces of Indo Tibetan Art Inscribed in the Name of Ordained Prince N a gar a j: A Stylistic Appraisal Present paper focuses on some Buddhist bronzes bearing single line inscription on pedestal “Lha Na ga ra dza ” in old Tibetan script. The images under discussion were discovered by the author from the frontier district Kinnaur of Himachal Pradesh, India which has been referred as different territory of mNgaris skhor gsum under the name Khun nu in old Tibetan texts. Under a documentation project, conducted from 1992 to 1996, the author registered more than 800 bronze icons, mostly unpublished, This huge corpus of the cult images includes different stylistic provenance and their development, however all grouped under a common term Indo-Tibetan art style, many of them bear the names of the donors and patrons, even some records name of the artists (Singh 1994:110). In the history of Western Tibet (mNgaris), Nagaraj (988-1026 AD...
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Some Inscribed Bronze Masterpieces from Western Inner Himalayas: A Stylistic Appraisal

Dialogue  April-June 2009 , Volume 10 No. 4 Some Inscribed Bronze Masterpieces from Western Inner Himalayas: A Stylistic Appraisal A.K. Singh This paper is focussed on some selected artworks discovered from the western Trans-Himalayan region, formerly constituent states of Western Tibet (gNari-Khorsum). The paper attempts to present an aesthetic overview on the beginning and burgeoning of a unique artistic culture on Indian periphery which later resulted in to Indo-Tibetan aesthetic expression. Artworks on view and und er discussion were mainly discovered from Upper Sutlej valley (in Tibetan chronicles called Khunu), Ladakh and Zanskar by the author during his more than two decades field work in the region stretching between upper catchments of the rivers Indus and Sutlej. Aesthetically superb in manifestation, artworks under investigation present a very interesting case of diffusion of an art style that is Kashmiri, about which still not much is known. In medieval period...
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